夏天來(lái)了，不想動(dòng)半步，只想宅在空調(diào)間喝冷飲吃零食？
這里雙語(yǔ)君（微信ID：Chinadaily_Mobile）就給你提供一個(gè)既能乘涼避暑，又可以增長(zhǎng)知識(shí)的好地方——博物館。
今天也是國(guó)際博物館日（International Museum Day）。這一紀(jì)念日早在1977年由國(guó)際博物館協(xié)會(huì)發(fā)起，旨在引起人們對(duì)博物館的了解和關(guān)注。
Museums are an important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.
博物館是文化交流與文化繁榮的重要手段。同時(shí)也能夠促成人類相互理解，合作，促進(jìn)人類和平。
今天，雙語(yǔ)君（微信ID：Chinadaily_Mobile）想給大家推薦幾個(gè)獨(dú)具特色的博物館，帶上相機(jī)和小伙伴一起去吧！
手工造紙博物館·云南
Museum of Handcraft Paper·Yunnan
遠(yuǎn)處的山、周圍的油菜花……這群精巧的木質(zhì)建筑宛如藝術(shù)品。它就是云南的高黎貢手工造紙博物館：
Museum of Handcraft Paper can be found in Yunnan Province near the Gaolingong Mountain. Resembling a micro-village, the complex is made of several asymmetricalstructures.
手工造紙博物館坐落于云南省高黎貢山旁。它的外形像是一個(gè)微縮型村落，這一建筑群由多個(gè)不對(duì)稱結(jié)構(gòu)組成。
asymmetrical [,es 'm tr kl]：不對(duì)稱的
博物館的材料是木制的，與周圍的環(huán)境完美融合，給人一種自然質(zhì)樸的感覺(jué)：
All the buildings are designed with the traditional Chinese wood structural system featuring nail-less Sun Mao (tenon) connections, which can be skillfully built by local builders.
博物館所有建筑設(shè)計(jì)均采用了中國(guó)傳統(tǒng)木制結(jié)構(gòu)，其特點(diǎn)是使用無(wú)釘榫卯連接，由當(dāng)?shù)丶妓嚪欠驳慕ㄖと私ㄔ於伞?/p>
建筑適應(yīng)當(dāng)?shù)貧夂颍浞掷卯?dāng)?shù)夭牧稀⒓夹g(shù)和工藝：
Local materials such as fire wood, bamboo, volcano stone and handcrafted paper were used for the exterior finish - the roof, floor and interior finish, respectively.
諸如木柴、竹子、火山石、手工紙等當(dāng)?shù)夭牧戏謩e構(gòu)成了屋頂、地板在內(nèi)的建筑外表及內(nèi)飾。
隨著時(shí)間推移，建筑材料會(huì)磨損褪色，與景色融為一體，也為建筑本身增添了歲月感。
蘇州博物館·江蘇
Suzhou Museum·Jiangsu
去蘇州玩，除了觀園林，吃糕團(tuán)，你絕對(duì)不能錯(cuò)過(guò)的還有這個(gè)風(fēng)格頗為現(xiàn)代，又具有蘇州特色的博物館。它的設(shè)計(jì)者是貝聿銘。
Founded in 1960 and originally located in the national historic landmark, Zhong Wang Fu palace complex, Suzhou Museum has been a highly-regarded regional museum with a number of significant Chinese cultural relics.
蘇州博物館于1960年成立，最初坐落于國(guó)家歷史遺跡——忠王府之中。蘇州博物館是一個(gè)受到高度贊譽(yù)的地區(qū)性博物館，館內(nèi)藏有為數(shù)眾多的重要文物。
2006年10月，新館落成。特別贊的一點(diǎn)是，它離拙政園、獅子林等景點(diǎn)都很近。
竹林、茅屋、清澈見(jiàn)底的池水，里里外外都透著蘇式的精致。
Under the design concept of "Chinese style with innovation, Suzhou style with creativity" and the idea of "not too high, not too large and not too abrupt", the museum was built to be a modern, artistic and comprehensive museum in terms of its selected site, and quality construction.
在“中而新，蘇而新”以及“不高不大不突出”設(shè)計(jì)理念的指導(dǎo)下，蘇州博物館不論是從選址還是從建筑質(zhì)量而言都是一個(gè)現(xiàn)代、精美的綜合性博物館。
蘇州博物館不僅具備蘇州園林的風(fēng)格特點(diǎn)，現(xiàn)代藝術(shù)中簡(jiǎn)約的幾何平衡，同時(shí)其精致的結(jié)構(gòu)布局也表現(xiàn)得淋漓盡致。
龍美術(shù)館·上海
Long Museum·Shanghai
上海這座城市從不缺先鋒現(xiàn)代的建筑，但龍美術(shù)館還是能瞬間脫穎而出。
龍美術(shù)館是由著名收藏家劉益謙、王薇創(chuàng)辦的私人博物館，浦東館和西岸館兩個(gè)大規(guī)模場(chǎng)館承擔(dān)展覽及相關(guān)功能。
As world-renowned art collectors, Liu and Wang's collection is systematically large, covering traditional Chinese art, modern and contemporary Chinese art, “red classics” as well as contemporary art of Asia and Europe.
作為世界知名的藝術(shù)品收藏家，劉益謙、王薇的收藏?cái)?shù)量豐富，體系完備，涵蓋中國(guó)傳統(tǒng)藝術(shù)、中國(guó)現(xiàn)當(dāng)代藝術(shù)、“紅色經(jīng)典”藝術(shù)以及亞洲和歐美的當(dāng)代藝術(shù)。
龍美術(shù)館不但藏品豐富，其外觀更是有著滿滿的設(shè)計(jì)感，尤其是由運(yùn)煤碼頭改造而成的西岸館，混凝土的力量與現(xiàn)代設(shè)計(jì)的美感達(dá)到了完美統(tǒng)一。
The main part of the building is a unique umbrella-vaulted structure. The surface of the peculiar vault is built by faced concrete with a fine and smooth texture.
美術(shù)館主體建筑采用了獨(dú)特的“傘拱”結(jié)構(gòu)。大尺度出挑的拱形空間表面由質(zhì)地細(xì)膩的清水混凝土澆筑而成。
Visually, it is in concert with the fashion space, “Hopper Corridor” (doulang), which was transformed from the former “Coal Hopper” (meiloudou) construction at Beipiao Port, thus creating a rational and tranquil sense of industry and primitivism as well as a sharp contrast between power and lightness.
從視覺(jué)上，這一建筑結(jié)構(gòu)與原北票碼頭建筑物“煤漏斗”改造而成的時(shí)尚空間形成呼應(yīng)，營(yíng)造出理性冷靜的工業(yè)感與原始感，以及對(duì)比鮮明的力量感與輕盈感。
中華藝術(shù)宮·上海
China Art Museum·Shanghai
是不是很眼熟？沒(méi)錯(cuò)，它正是由中國(guó)2010年上海世博會(huì)中國(guó)國(guó)家館改建而成。
China Art Museum is designed with the concept of "Oriental Crown." The traditional Chinese wooden structure element, Dougong brackets, is introduced. Its main colour is "Gugong (Forbidden City) Red" which represents the taste and spirit of Chinese culture.
中華藝術(shù)宮以“東方之冠”為設(shè)計(jì)理念，同時(shí)在建筑中引入了中國(guó)傳統(tǒng)木制結(jié)構(gòu)斗拱。它的主色調(diào)是“故宮紅”，代表著中華文化的品味與精神。
不僅是外表有特色，藝術(shù)宮中還藏有當(dāng)年中國(guó)館的鎮(zhèn)館之寶——電子動(dòng)態(tài)版清明上河圖。
日夜更迭的都市場(chǎng)景，千余名動(dòng)態(tài)人物，繁忙的汴河漕運(yùn)以及喧鬧的街市……還原了畫卷中的美。
The exhibition area of the China Art Museum covers 64,000 square meters (27 exhibition halls), showing the origin and development of modern Chinese art with plenty of art treasures.
中華藝術(shù)宮的展示區(qū)占地64000平方米（包括27個(gè)展館），展現(xiàn)了現(xiàn)代中國(guó)藝術(shù)的起源與發(fā)展，其他藝術(shù)瑰寶也在其中一并展出。
展館內(nèi)的藝術(shù)作品超過(guò)1400件。即便你一分鐘內(nèi)能夠欣賞4件作品，你參觀完整個(gè)展館也至少需要5小時(shí)時(shí)間。
松美術(shù)館·北京
Song Art Museum·Beijing
迎松而立、白墻黛瓦，美術(shù)館單名一個(gè)“松”字，給人一種遺世獨(dú)立的疏離感。這座博物館2017年9月正式向公眾開(kāi)放。
This is the latest addition to Beijing's art world, a gallery in the capital's northeastern outskirts, on land where 60 horses used to roam and breed. On a long stretch of lawn stands a two-story white building with 199 pine trees.
松美術(shù)館是北京藝術(shù)世界中的新成員，展館位于首都的東北郊區(qū)，而這里曾經(jīng)是60匹馬閑逛、繁育的場(chǎng)所。如今，在這片水平延伸的草地上，興建起了一棟兩層樓高的白色建筑，還有199棵松樹(shù)。
Inside the building, visitors have access to a display of nearly 80 oil paintings, sculptures and photos of acclaimed modern Chinese and Western artists. They are from a private collection that has been pulled together over more than 20 years, bought at auctions and art fairs all over the world.
在建筑內(nèi)部，參觀者們能夠在展覽中欣賞到約80件油畫作品、雕塑以及相片，它們出自中西方現(xiàn)代知名藝術(shù)家之手。這些展品均為個(gè)人收藏，是收藏家花費(fèi)了20年時(shí)間，從世界各地的拍賣會(huì)與藝術(shù)博覽會(huì)中購(gòu)得的。
不僅美術(shù)館的展品來(lái)自全球，其建筑本身也包含了東西方的不同元素。在這片長(zhǎng)卷狀的草坪上，向游客默默呈現(xiàn)著。
Song Art seum transforms everything into geometry, purity, like Chinese philosopher Lao Zi said, "govern without intervention" from the outside to inner. With its clean existence, any kind of contemporary art is welcome to enter, to vitality showing without scruples.
松美術(shù)館將一切轉(zhuǎn)化為幾何、凈白，如中國(guó)思想家老子所言：“無(wú)為而治”，“無(wú)為”的狀態(tài)從館外到館內(nèi)延展開(kāi)來(lái)。在松美術(shù)館自身純凈的狀態(tài)下，各式各樣的當(dāng)代藝術(shù)進(jìn)入其中，它們都可以毫無(wú)顧忌地展現(xiàn)他們的活力。
木心美術(shù)館·浙江
Muxin Art Museum·Zhejiang
木心美術(shù)館紀(jì)念和展示了畫家、文學(xué)家、詩(shī)人木心先生（1927-2011）的畢生心血與美學(xué)遺產(chǎn)。
Throughout his life Mu Xin was a complex and inspiring figure. He was a celebrated artist of abstract landscapes and paintings, poet and writer.
縱觀木心的一生，他是一個(gè)復(fù)雜且給人以啟迪的人物。他是著名的抽象派風(fēng)景藝術(shù)家、畫家、詩(shī)人、作家。
整座美術(shù)館仿佛“浮”在水面上，詩(shī)意翩躚，與溫柔靈動(dòng)的烏鎮(zhèn)完美融為一體。
Mu Xin created space not only in the evocative multilayered painting of his abstract landscapes, but also in his writings. Through this work, the artist demonstrates the unfettered expansion of the mind within real physical constraints.
木心先生不僅在他帶有豐富層次感的抽象派風(fēng)景畫創(chuàng)造空間，也在他的文章中創(chuàng)造空間。通過(guò)木心美術(shù)館，我們能看到這位藝術(shù)家的思維無(wú)拘無(wú)束地?cái)U(kuò)展。
美術(shù)館內(nèi)部也透著設(shè)計(jì)者的巧思與精致柔婉。
The reflection of Mu Xin's work is illustrated through the design of the building as seen in the series of interconnected floating rooms and the concrete exterior, which evokes gentle watercolor brush strokes.
建筑設(shè)計(jì)中的相互聯(lián)通的房間浮動(dòng)在水上，和混凝土外觀一起展示著木心的作品，宛如溫溫柔的水彩畫。
不過(guò)木心先生并沒(méi)有親眼看到美術(shù)館的建成，這也成為一大憾事。
看了這些博物館，你最想去哪打卡？你還會(huì)推薦哪些博物館？快來(lái)給雙語(yǔ)君（微信ID：Chinadaily_Mobile）留言分享吧~
(來(lái)源：中國(guó)日?qǐng)?bào)雙語(yǔ)新聞編輯部）
